Fritillaries And So On (After W. Stevens #9) (Wall #24) 2025

Fritillaries And So On (After W. Stevens #8) (Wall #23) 2025

Fritillaries And So On (After W. Stevens #7) (Wall #22) 2025

Fritillaries And So On (After W. Stevens #6) (Wall #21) 2024

Fritillaries And So On (After W. Stevens #5) (Wall #20) 2024

Fritillaries And So On (After W. Stevens #4) (Wall #19) 2024

Fritillaries And So On (After W. Stevens #3) (Wall #18) 2024

Fritillaries And So On (After W. Stevens #2) (Wall #17) 2024

Fritillaries And So On (After W. Stevens #1) (Wall #16) 2024

Under the Trashy Moon (After the Yellow Log, After W. Stevens #1) (Wall #6) 2024

Under the Trashy Moon (After the Yellow Log, After W. Stevens #1) (Wall #5) 2024

Flowering Trashiness Studies (Wall #4) 2024

Flowering Trashiness Studies (Wall #3) 2024

Flowering Trashiness Studies (Wall #2) 2024

Flowering Trashiness Studies (Wall #1) 2024

Clown Politics (After R. Morton #6) 2024

Clown Politics (After R. Morton #5) 2024

Clown Politics (After R. Morton #4) 2024

Clown Politics (After R. Morton #3) 2024

Clown Politics (After R. Morton #2) 2024

Clown Politics (After R. Morton #1) 2024

flowerlike (After Japanese Death Poem, After Duchamp, After Sedgwick, After van der Stokker #2 2024

flowerlike (After Japanese Death Poem, After Duchamp, After Sedgwick, After van der Stokker #1 2024

With A Heart Full Of Owls, 2024

With A Heart Full Of Owls, 2024

Rest, 2024

Rest, 2024

Rest, 2024

Rest, 2024

Abstract, (Emphasis Proposal: Messing Studies, Losing Loosing Studies) 2023

Abstract, (Emphasis Proposal: Messing Studies, Losing Loosing Studies) 2023

Abstract, (Emphasis Proposal: Messing Studies, Losing Loosing Studies) 2023

A Dialogue on Growth (B R U I S E D S K I E S as sideways horizons 1 - 5 with E. Murray) 2023

A Dialogue on Growth (Another Proposed Encounter between M. Cloud & R. Morton 1 through 5) 2023

Possible Dialogue on Growth (experiments with overcasts 1-25) 2023

A Dialogue on Growth (Emphasis Proposal: Breaking Studies, Wet Studies 1 - 5 with R. Morton) 2023

Exhibition views of Allegedly Sister Perpetua's Grey Habits at Ruschwoman 2023

Curatorial Project: The Illuminating Sap 2023

A Dialogue on Growth #4 (Understory Standpoints: With Apocolaypse RN and R. Ryman) 2022

A Dialogue on Growth #3 (Understory Standpoints: With Apocolaypse RN and R. Ryman) 2022

A Dialogue on Growth #5 (with R. Morton and J. Halberstam) 2022

A Dialogue on Growth #4 (with R. Morton and J. Halberstam) 2022

A Dialogue on Growth #3 (with R. Morton and J. Halberstam) 2022

A Dialogue on Growth #2 (with R. Morton and J. Halberstam) 2022

A Dialogue on Growth #1 (with R. Morton and J. Halberstam) 2022

House and Travels: Group Exhibition: Emily Davidson, Dona Nelson, Zachary Rawe 2022

Speculative Magenta Hauntology: Group Exhibition at Ruschwoman 2022

rebegin speculative magenta hauntology (dialogue of growth after M. Cloud and L. Berlant: defeated fences) oil on panel 2021

rebegin speculative magenta hauntology (dialogue of growth after M. Cloud and L. Berlant: terribly beautiful) 2021

rebegin speculative magenta hauntology (dialogue of growth after M. Cloud and L. Berlant:: damp invasive) oil on panel 2021

rebegin speculative magenta hauntology (dialogue of growth after M. Cloud and L. Berlant: humid funerary) 2021

rebegin speculative magenta hauntology (dialogue of growth after M. Cloud and L. Berlant: trash choices) 2021

Non-Fruiting Mullberry Tree #10 (Blizzard) 2020

Non-Fruiting Mullberry Tree #7 (Yellow) 2020

Non-Fruiting Mullberry Tree #3 (Night) 2020

"During the day I don't believe in ghosts. At night I'm a little more open-minded." - unknown

berkshire birds of paradise rescue (rescue and grids #1) 2019

Syllabus: A Few Utopias fall, 2019

We do what we need to do, and then we get to live. No matter what we find in D.C., I know we'll be okay. This is how we survive: We tell ourselves that we are the walking dead. - Rick Grimes, The Walking Dead

You know, people who don't fish think that fishing is lazy or boring, but it is the complete opposite. There are a hundred little decisions to be made, variables to be considered. And you're never quite sure what made the difference. Did I cast too high, too far to the left? Did I reel it in too slow, or, or, or too fast? Is the lure too shiny or too dull? Do I stay here, or should I go over there? - Rowan Pope

speculative magenta hauntology and losing (blood, bleed, bled, bleeds, dried, crust) 2019

speculative magenta hauntology and losing (for happen stance and squishy manuevers) 2018

speculative magenta hauntology and losing (in advance of multiple ghosts congealing) 2018

things that have dropped out of the loop or have been left sagging somewhere and dragged home as if they are the literal residues of past dreaming practices - Kathleen Stewart, Ordinary Affects

politics proposes to make us better, but we were good already in the mutual debt that can never be made good. We owe it to each other to falsify the institution, to make politics incorrect, to give the lie to our own determination. We owe each other the indeterminate. We owe each other everything. - Moten and Harney, the undercommons

we are compost, not posthuman; we inhabit the humusities, not the humanities. Philosophically and materially, I am a compostist, not a post humanist. beings-human and not-become with each other, compose and decompose each other, in every scale and register of time and stuff in sympoietic tangling-HarawayC

of green permissibility bolts of gathered would to faint wooed lapse in which she attains green * S slept longer - xcerpt from Mel Elberg, Joan 2000

the edges of green attend to reap sweet sweet unbearded vagrance - xcerpt from Mel Elberg, GREENHAM

Syllabus: After 1989 (or Art at the End of the world) spring, 2019

fuck the king-the hound, Game of Thrones

fuck the king-the hound, Game of Thrones

to and with (dead by roni horn), 2018

with and to (purple by roni horn), 2018

with and to (cruel optimism by lauren berlant), 2017

with and to (touching feeling by eve sedgwick), 2017

with and to (ghostly matters by avery f gordon), 2017

Syllabus: Art/Work/Precarious/Impasse spring 2018

For her part, Arendt worries over just such makings, insofar as they are likely predicated upon the instrumentalization of thinking and almost certainly entail thinking's reification: these makings, according to her, are "always paid for, and ... the price is life itself"; the thing, such as the book, ""is always the 'dead letter' in which the living spirit must survive, a deadness from which it can be rescued only when the dead letter comes again into contact with a life willing to resurrect it, although this resurrection of the dead shares with all living things that it, too, will die again"-nick salvato with hannah arendt

the answer is simple: like every generation before, we live in the aftermath.-steven j jackson, 'rethinking repair'

is it fall yet (late fruiting gold rush apple tree), 2017

is it fall yet (a beginning with a stuck ever present ghost), 2017

it's a transformative experience to simply pause instead of immediately filling up the space. by waiting, we begin to connect with fundamental restlessness as well as fundamental spaciousness-pema chödrön 'when things fall apart'

i want you to know i conducted a war for this, a war to lose my life. i lost it, i lost it. i reduced it to a death canoe, and it still came out as life. -maggie nelson, 'the latest winter'

uttered from the impasse of the present extend from this, cruel optimism's double bind: even with an image of a better good life available to sustain your optimism, it is awkward and it is threatening to detach from what is already not working-lauren berlant, 'on the desire for the political'

various installation views of the exhibition, 'late november' at cornerstone), 2015

prototype: deteriorating unworking for becoming heavier than winter (fragmented work shirts becoming shirt sewn shut), 2014

i was drunk when i got here, i plan on being drunk when i leave, 2011

gold pile, 2010

shhh, 2010

class="hidden-text"

awed!, 2009

paying me peanuts around here, 2009